FOTOGRAFIA PARA MODELOS

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Transcripción de la presentación:

FOTOGRAFIA PARA MODELOS #3 Vince Daoz

Semana pasada Bases Columna y cuerda CSI Crossover Posiciones del cuerpo Pies Talones Tobillos Piernas Reglas basicas Manos

Manos, Reglas básicas Existe una línea imaginaria entre las dos manos Manos nunca al mismo nivel, sino línea horizontal. Mostrar el perfil de la mano, ni la cara ni la palma Estética, espacio utilizado Vista de las venas Existe excepciones (emociones)

PARA CATALOGOS

When the head is tilted to some degree in either direction, the look will be softened by rendering the face as a diagonal line.

In a commercial image, the model usually looks off camera. This allows the viewer to connect with the product the model is selling rather than the model herself. In a portfolio image, the model herself is the product. Direct eye contact will help her make a connection with the viewers of the portfolio—her prospective employers.

A slight separation of the lips will give the model a pleasant, unforced expression and will soften the jawline. Tell the model to open her lips just enough to feel the air break over her bottom lip When training a beginning model, have them use their hands to cover everything except their lips, then give them words to demonstrate, using only their lips—happiness, anger, pride, softness, etc. This way they see the importance and use of lips to create the intended mood. Direct the model to open her mouth so that she can just slightly feel the air across her lips. This will make the lips appear larger. It will also relax the jaw, since she cannot clench her jaw with her lips slightly open.

Relajar los labios Sometimes a model gets really nervous and her upper lip may stiffen and quiver. When this happens, I will ask the model to say, “alfalfa.” The first two syllables will relax the mouth, and the “-fa” syllable produces a nice shape for the mouth.