“La Valse a Mille Temps” Pinturas: Everett Shinn Π

“Siempre nos quedará París” “We’ll always have Paris”

In the first stage* of the waltz All alone, you're smiling already. In the first stage of the waltz I'm alone but I catch sight of you And Paris which beats each measure Paris which measures our excitement Whispers to me, whispers very low A waltz in triple time Which offers still more time To present the turns In the direction of love Charming as it is. A waltz in quadruple time It's much less dancing But just as charming As a waltz in triple time A waltz in quadruple time, A waltz when you're twenty*** It's much more arousing But much more charming Than a waltz in triple time A waltz when you're twenty A waltz in hundred time A waltz when you're a hundred A waltz that is heard At each intersection In Paris which love Renews in springtime. A waltz in thousand time A waltz took the time To wait twenty years For you to be twenty And for me to be twenty Offers to lovers alone Three hundred thirty-three times the time To build a romance. In the second stage of the waltz, We are two, you're in my arms In the second stage of the waltz We both count one-two-three And Paris which beats each measure Paris which measures our excitement Hums to us, hums again A waltz in triple time Which offers still more time To present the turns In the direction of love Charming as it is. A waltz in quadruple time It's much less dancing But just as charming As a waltz in triple time A waltz in quadruple time, A waltz when you're twenty*** It's much more arousing But much more charming Than a waltz in triple time A waltz when you're twenty A waltz in hundred time A waltz when you're a hundred A waltz that is heard At each intersection In Paris which love Renews in springtime. A waltz in thousand time A waltz took the time To wait twenty years For you to be twenty And for me to be twenty Offers to lovers alone Three hundred thirty-three times the time To build a romance. In the third stage of the waltz We finally waltz, everyone! There's you and there's love and there's me And Paris which beats each measure Paris which measures our excitement Lets her joy finally burst! A waltz in triple time Which offers still more time To present the turns In the direction of love Charming as it is. A waltz in quadruple time It's much less dancing But just as charming As a waltz in triple time A waltz in quadruple time, A waltz when you're twenty** It's much more arousing But much more charming Than a waltz in triple time A waltz when you're twenty A waltz in hundred time A waltz when you're a hundred A waltz that is heard At each intersection In Paris which love Renews in springtime. A waltz in thousand time A waltz took the time To wait twenty years For you to be twenty And for me to be twenty Offers to lovers alone Three hundred thirty-three times the time To build a romance. La La Laa La, La La Laa, La La Laa La, La LA!

Everett Shinn (6 de noviembre de 1876, Woodstown, New Jersey - 1 de mayo de 1953, Nueva York) Artista estadounidense de realismo Americano, forma parte del grupo Ash-can School conocida también como "Los realistas de Nueva York" (The New York realists) o "Los ocho" (The Eight). Fue el miembro más joven del grupo de pintores modernistas que exploró la representación de la vida real.Su temática se centra en escenas callejeras y en interiores especialmente dedicados al mundo de los cabarets y teatros, y de varios aspectos del lujo.

Π altapi1@gmail.com Imágenes procedentes de Internet Sin ánimo de lucro – Non profit Π

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